Video production can be broken down into five general areas, or the Composition of your video, as I like to call them. These are the script or content, how you capture and record the video, and how you incorporate graphics, titles, and audio. How you master it (so it looks professional), and finally, how you distribute it. It might seem daunting to think about all these steps at once. But I promise you can easily break down your video into its components, tackling one part at a time and completing your masterpiece in no time.
The Composition as a photographer
Composition is one of those terms that gets bandied around a lot, especially by amateurs. However, it can dramatically improve your photographs when used properly and understood fully. The reason composition seems so elusive to most amateur photographers has much to do with its meaning.
Composition isn’t just about where you point your camera but rather how you decide to portray your subject. It’s also about what viewers notice (and what they don’t). It’s not always easy—even for professionals—but there are tricks of the trade that will help you better understand how to use elements in your frame, as well as tips and tricks on perspective and framing.
The Composition as a filmmaker
What is it?: Composition as a filmmaker: what is it? Compose your shot. That might sound like obvious advice, but what does it mean to compose your shot? What are you doing when you compose your shot for the film, and how do you do it properly? What does ‘composed’ mean about filmmaking, and how can you go about composing shots and sequences that work well on screen? To answer these questions, we first need to consider why composition matters.
Composition: How Does it Work?
One of our favorite things about filming at Film Studio Chicago is their commitment to lighting. The makeup of a film set involves a combination of shadows, highlights, and intermediate values that give every shot depth and feeling. Studying Composition has taught us so much about how to make all elements blend into one cohesive scene. Light plays such an essential role that it’s worth considering whether you should shoot on location or rent studio space like Film Studio Chicago offers.
Understanding Composition Theory
Some of you may be surprised to learn that people have been making videos for hundreds of years without knowing what to do. Now we live in an age where basic knowledge of videography is expected, if not required. If you want to improve your video skills or are just a fan who wants to know more about how videos work, read on!
The rule of thirds
Rule of thirds. The rule of thirds works because it’s easy for our eyes to focus on an object when there’s a prominent line dividing that object into three sections or, even better, four sections. Many great photos are composed along a line created by splitting an image into thirds, vertically and horizontally, resulting in nine boxes of varying sizes.
The photograph has the main subject within one of these boxes. It could be placed anywhere as long as it isn’t split across a section boundary. If you have nothing particular to focus on, don’t be afraid to start with something simple like a window or door frame and adjust later if your photo doesn’t come out right.
Opposites or boundaries
Film Studio Chicago can help you create a cohesive group for your project. It will keep everything together. For example, if you have a chorus of several singers singing a different part. You want to separate them into parts so they can all be heard clearly.
Separating them into different microphones or recording channels will ensure that each member of your group comes out clearly and distinctly. This step also applies to film editing, where splicing scenes with one scene bleeding into another may cause viewers to miss important information between scenes (i.e., it would make it hard to follow along).
Shapes and Lines
So why does Composition matter so much when you’re making a film? Composition relates to videos, arranging your subjects onscreen, and how lines and shapes move viewers through shots. Think of professional directors like Steven Spielberg or Quentin Tarantino—known for having mastered visual storytelling. But they can make their stories visually stunning because they think about these elements ahead of time.
When deciding where to put objects onscreen, ask yourself: Do I want my viewer to notice a certain element first? What do I want them to notice last? If you place an object or subject off-center and let it drift toward a corner or edges of a frame, that movement will pull viewers’ eyes along with it.
Colour and Intensity
Video producers use color and intensity to evoke specific emotions. Colour is often measured by RGB level, where red, green, and blue are represented as a percentage for each pixel. If there are equal amounts of each color—100%—the image appears white or grey. If one color increases over another, that particular shade will be tinted. For example, a higher red level could result in images tinged with pink or magenta.
Intensity refers to how bright an image appears on the screen. Brightness can also be measured by its RGB level (0-255). A good starting point is setting your overall brightness to 100%, then adjusting values for saturation (another way of saying intensity) and vibrancy accordingly.
What is the Composition of a scene?
The cinematographer can control how a scene is composed with either deep focus or shallow depth of field. Both areas near and far from the camera are sharply focused in deep focus. In the shallow depth of field, only an area in front of or behind (or sometimes both) what we’re focusing on will be sharp.
Multiple cameras and different setups capture footage for a single scene on larger film sets. Using some visual marker to keep everything straight during editing is vital.
The markers might not be obvious to us as viewers; for example, they may be extra details added by makeup artists or lighting effects that don’t make sense until they appear on the screen. Here you will get a complete guide on how t find the best video production company in London.
What is the purpose of Composition in the film?
A film’s music, art, and script elements fall under the Composition category. While each piece of a film’s design plays an important role, a film’s cinematography captures our attention above all else. A director may choose to photograph their scene from many different angles.
But, as with every film element, each shot must have a purpose. For instance, if you are shooting your subject from ground level rather than eye level (known as low-angle shots). You can imply that your subject has power over another character.
Final Thoughts
What Composition is and Why it Matters. We’ve all heard of the Rule of Thirds. How many people talk about the Rule of Thirds but say they don’t get it or know how to apply it to their images? The same can be said for Composition – there’s so much more to it than just dividing your frame into thirds. To help demystify what Composition means and help you understand why it matters in Video Production. We’ve compiled five simple examples demonstrating how photographers use different compositions to add visual interest and tell a story through their images.
